Which organisation/institute has recently started the new initiatives such as Bharat Vidya Pariyojana, Brihattar Bharat and Nari Samvaad Prakalp?
- (a)IGNOU
- (b)Sahitya Akademi
- (c)Centre for Cultural Resources and Training (CCRT)
- (d)Indira Gandhi National Centre for Arts (IGNCA)
Correct — D, Indira Gandhi National Centre for Arts (IGNCA). All three names in the stem belong to one body. IGNCA's own website lists Bharat Vidya Prayojana as a project running in two phases, and Nari Samvaad Prakalp sits under its Kalakosa division, catalogued there as a network on gender, culture and civilization; Brihattar Bharat is the Centre's programme on India's older cultural reach into South-East and Central Asia. The style of the names is itself a clue. IGNCA was set up in 1985 in memory of Indira Gandhi as an autonomous body under the Ministry of Culture, and it has always organised its work under Sanskrit division names — Kalanidhi the reference library, Kalakosa for texts, Janapada Sampada for lifestyle studies, Kaladarsana for exhibitions, Adi Drishya for rock art. A cluster of new Sanskrit-named research projects is what that institution produces. Two printed slips are worth seeing and then setting aside: the paper writes Pariyojana where the Centre writes Prayojana, and option (d) drops the definite article from the official name, which is Indira Gandhi National Centre for the Arts.
- (a)IGNOU — The Indira Gandhi National Open University shares half a name with the answer and nothing else. It is a distance-education university under the Ministry of Education; what it launches are degree and diploma programmes, not culture-research projects.
- (b)Sahitya Akademi — India's national academy of letters, founded in 1954. Its work is awards, translation and publication across the twenty-four languages it recognises, and none of the three named projects is its.
- (c)Centre for Cultural Resources and Training (CCRT) — The strongest wrong option, because CCRT is genuinely under the Ministry of Culture like IGNCA. Set up in 1979, its remit is training schoolteachers to bring culture into classroom teaching, not running research programmes of this kind.
The Ministry of Culture works largely through autonomous bodies, each with a narrow remit. IGNCA, founded in 1985, is the research and documentation centre for the arts, understood broadly enough to take in texts, rock art, oral tradition, lifestyle studies and cultural informatics. Sahitya Akademi handles letters, Sangeet Natak Akademi the performing arts, Lalit Kala Akademi the visual arts, and CCRT teacher training. Knowing which body owns which subject answers a whole family of exam items.
You are not expected to have read about three specific projects. You are expected to place the names. Bharat Vidya means Indology; Brihattar Bharat means Greater India; Nari Samvaad Prakalp is a women's dialogue project. Those are research themes in the humanities, which rules out an open university and a teacher-training centre at once, and Sahitya Akademi's business is literature alone. That leaves the one body in the list whose job is exactly research across the arts. On the printing: the booklet's Pariyojana and the Centre's Prayojana both mean project, and the missing 'the' in option (d) is a slip of the same order. Neither changes what is being tested, and the paper's wording is reproduced here as printed.
- IGNCA was established in 1985 in memory of Indira Gandhi and is an autonomous body under the Ministry of Culture.
- Its divisions include Kalanidhi (reference library), Kalakosa (texts), Janapada Sampada (lifestyle studies), Kaladarsana (exhibitions), Adi Drishya (rock art) and Cultural Informatics.
- Nari Samvaad Prakalp is listed on IGNCA's site under the Kalakosa division as a network on gender, culture and civilization.
- Bharat Vidya Prayojana appears on the same site as a project with Phase I and Phase II programmes.
- CCRT (1979) is also a Ministry of Culture body, but it trains teachers; Sahitya Akademi (1954) is the letters academy; IGNOU is a Ministry of Education university.
Two of the four share a founding decade and half a name; only one of them does arts research.
- Reading IGNOU for IGNCA. The names begin alike and the two were founded in the same year, but one is a university under the Ministry of Education.
- Assuming any culture-sounding project belongs to the biggest body you can name; CCRT is under the same ministry and is the trap option here.
- Trying to recall the projects themselves rather than classifying the kind of work their names describe.
Almost always as scheme-or-project to parent-body matching, sometimes reversed into 'which ministry launched X'.
Match List-I with List-II relating to Sahitya Akademi Award Winners, 2022 and select the correct answer using the code given below the Lists: List-I (Title and Genre) A. Bhool Satya (Short Stories) B. Tumadi Ke Shabd (Poetry) C. Chhe Roopak (Drama) D. Alekhun Amba (Play) List-II (Author) 1. Kamal Ranga 2. Veena Gupta 3. Badri Narayan 4. Manoj Kumar Goswami Code :
- (a) A-1 B-2 C-3 D-4
- (b) A-1 B-3 C-2 D-4
- (c) A-4 B-3 C-2 D-1
- (d) A-4 B-2 C-3 D-1
Answer(c) A-4 B-3 C-2 D-1
The same family of institutions. Sahitya Akademi is one of the wrong options here and the whole subject of that 2023 item — a reminder that CDS regularly tests the national cultural academies by name and by output.
- practice — not a real PYQ
The Centre for Cultural Resources and Training (CCRT) functions under which one of the following ministries?
- (a)Ministry of Education
- (b)Ministry of Culture
- (c)Ministry of Tourism
- (d)Ministry of Youth Affairs and Sports
Answer(b) Ministry of Culture — CCRT was set up in 1979 as an autonomous body of that ministry to train teachers in linking education with culture.
- practice — not a real PYQ
The Indira Gandhi National Centre for the Arts was established in which year, and in whose memory?
- (a)1975, in memory of Jawaharlal Nehru
- (b)1985, in memory of Indira Gandhi
- (c)1992, in memory of Rajiv Gandhi
- (d)1961, in memory of Rabindranath Tagore
Answer(b) 1985, in memory of Indira Gandhi — it was set up as an autonomous centre for research and documentation in the arts.